1952

This is my third bottle of this exact red — the velvet finish catches the light in a way that looks almost like liquid metal, and it’s fully opaque in one coat. It’s somehow both bold and soft at the same time, which I didn’t think was possible for a candy apple shade.

The velvet finish gives it this molten, almost liquid look on the nail that shifts in the light—gorgeous. One coat was enough to get that candy apple red fully opaque, and it dried to a soft, shimmering glow that doesn't scream metallic.

The opacity is exactly what I needed—two thin coats and my nails look like polished glass with that molten shimmer. I keep catching myself staring at my fingers in the car, and the candy apple tone is even richer in person.